Composer, conductor, and bass-baritone Damien Geter has revealed his 2023-2024 season, which includes the world premiere of American Apollo, a workshop of his new major opera Loving v. Virginia, the ...

Baritone Sidney Outlaw has joined the cast of Opera Philadelphia's new production of Mozart's Don Giovanni for four performances, April 25-May 4 at the Academy of Music. Outlaw steps in for baritone ...

Lucas fell into singing almost by accident while studying French horn at CSU Sacramento. Curious about opera, she asked the school’s opera director to discuss it with her, and insisted that she sing ...

Beginning March 12, the German baritone appears in his first Verdi opera with the Metropolitan Opera in Falstaff.

Sidney Outlaw made a shrewd move by bringing a new piece, written expressly for him, to his Schwabacher Debut Recital at Temple Emanu-El on Sunday evening. The program's real payoff, though, came in ...

Hear what happens when the natural male speaking voice turns to song in this baritone bonanza. (Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.) ...

Call them the ultimate tag team — with really great voices. Four baritones will take the spotlight in Opéra Louisiane’s “Baritones on the Bayou,” on Thursday, Sept. 10, in Louisiana’s Old State ...

Mableton native Joseph Lattanzi returns to The Atlanta Opera in style this month as the wily barber Figaro, the title character in Rossini’s rollicking comedy “The Barber of Seville.” In a competitive ...

Add Yahoo as a preferred source to see more of our stories on Google. Franz Grundheber in the title role in Verdi’s Simon Boccanegra at the Royal Opera House in 2004 - Alastair Muir Franz Grundheber, ...

While Dietrich is making records in London, Fischer is giving a lieder recital at Carnegie Hall, and Dieskau is appearing as Falstaff at the West Berlin Opera. Or so one critic claims. Actually, ...

“I Am the Very Model of a Modern Major-General” from “The Pirates of Penzance” (1879; music by Arthur Sullivan, libretto by W.S. Gilbert) There’s no better way to impress the room than deftly ...