Olga Supphozova glides across the stage in pointe shoes and a feathered tutu, her arms extended in elegant lines of beauty and strength. But the piece is called “The Dying Swan” for a reason — pretty ...

If there were any lingering doubts about the transparent strength and athleticism of dancers, they have surely been quashed thanks to the recent rash of bad-ass ballerinas on screen. And as with any ...